Paper for “The Deleuze Studies in Asia Conference 2014”, June, Osaka, Japan
3. marts 2014 § Skriv en kommentar
Handcrafting-bodies as delirious ensembles
For thousands of years, in all kinds of worlds, the art and practice of handcraft has continuously been part of people’s everyday lives. By knitting, weaving, crocheting, embroidering etc., handcrafting is the art of becoming-imperceptible through monotonous and restrained steps – etymologically, monotony refers to the tension or stretching of a single string. Such monotonous indulgence might produce a state of joyous inertia and is often described as akin to spiritual practices or experiences of Void. Exact techniques, repetitive movements, microscopically clicking sounds, colors and sensuous materials, all actualized from within an archipelago of raising and fading murmuring voices. As such, an ensemble of handcrafting-bodies form a delirious meute, affirming the event of “stationary journeys” and producing “individuations without a ‘subject’” through flows of silence, fabulation and involutive stretchings.
In Scandinavia, the quest for a mindful being of inner peace has gone haywire. There is a desperate desire for solitude and absence of speech, and likewise an array of individualizing practices trying to ease neo-liberal sufferings of ‘burn-out’. Hence, new existential questions arise from this neuronal paradigm, disrupting traditional disciplines of dialogue and identification, e.g. that of Psychology. What if nothing outlines me and movements have moved me too much? What if I don’t want to express MySelf to you, but rather imperceptibly dwell within collective doings? “Experimentation is involutive, the opposite of the overdose”, Deleuze wrote. In line with this, this paper addresses how monotonous handcrafting-ensembles positively and collectively affirm the event of inertia as pure being, as Void, in the sense of a Blanchotian Midnight.